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Official Course
Description: MCCCD Approval: 3-28-1995 |
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MTC205
1995 Fall – 2011 Summer II |
LEC
3.0 Credit(s) 3.0 Period(s) 3.0 Load Acad |
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Music
Theory III |
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The
study of chromatic harmony and melody, modulation techniques and expanded
chords. The analysis of formal structure. Prerequisites: MTC155. Corequisites: MTC206. |
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Go to Competencies Go to Outline
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MCCCD
Official Course Competencies: |
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MTC205 1995
Fall – 2011 Summer II |
Music Theory III |
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1.
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Identify and notate altered chords. (I) |
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2.
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Identify and notate modulations to non-closely related
keys. (II) |
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3.
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Identify and notate ninth, eleventh, and thirteenth
chords. (III) |
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4.
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Describe and analyze various musical forms. (IV) |
Go to Description Go to top of
Competencies
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MCCCD
Official Course Outline: |
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MTC205 1995
Fall – 2011 Summer II |
Music Theory III |
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I. Altered chords A. Figured bass symbols B. Analysis symbols C. Voice leading D. Borrowed chords 1. Borrowed chords in major
keys 2. Borrowed chords in minor
keys E. Augmented sixth chords 1. Italian 2. French 3. German 4. Doubly augmented sixth
(English) F. Neapolitan sixth G. Altered dominants H. Fully-diminished seventh
chord I. Chromatic mediants II. Modulation A. Pivot chord modulation B. Enharmonic modulation 1. Using German sixth/V
chord 2. Using fully-diminished
seventh chords C. Sequential modulation III. Extended harmony A. Ninth, eleventh, and
thirteenth chords B. Analysis symbols C. Figured bass symbols D. Voice leading IV. Part-forms A. Two-part form B. Three-part form C. Sonata form D. Rondo form E. Composite form F. Variation forms |