Official Course Description:
MCCCD Approval: 4-25-2000 |
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MTC220 2000 Fall – 2011 Fall |
LEC 3.0 Credit(s) 3.0 Period(s) 3.0 Load Occ LAB 0.0 Credit(s) 2.0 Period(s) 1.4 Load |
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Advanced
Sound Design for Film and Video |
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Explores
techniques and advanced applications used in designing sound using original
student footage on a non- linear editing system. Prerequisites: MTC/TCM120 or permission
of Instructor. |
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Cross-References:
TCM220 |
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Go to Competencies Go to Outline
MCCCD
Official Course Competencies: |
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MTC220 2000
Fall – 2011 Fall |
Advanced Sound Design for Film and Video |
1.
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Demonstrate ability to record onto non-linear system. (I) |
2.
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Demonstrate ability to input sound into non-linear system.
(II) |
3.
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Demonstrate ability to edit sound on non-linear system.
(III) |
4.
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Demonstrate ability to mix sound on non-linear system.
(IV) |
5.
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Demonstrate ability to import MIDI on non-linear system.
(V) |
6.
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Demonstrate ability to apply effects. (VI) |
7.
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Demonstrate ability to master sound on non-linear system.
(VII) |
8.
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Demonstrate ability to sync sound with video on a
non-linear editing system. (VIII) |
Go to Description Go to top of
Competencies
MCCCD
Official Course Outline: |
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MTC220 2000
Fall – 2011 Fall |
Advanced Sound Design for Film and Video |
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I. Recording onto
Non-linear A. Interface units B. External sounds cards C. Connection the system D. Digital recording levels
II. Inputting Sound into a
Non-linear System A. File formats B. Transfer mediums C. Hard drive speeds D. Digital or analog III. Editing on a
Non-linear System A. Working with waveforms B. Splice/overwrite
functions C. Cut and paste functions D. Extract/Lift functions IV. Mixing Sound on a
Non-linear System A. Understanding gain
levels B. Panning C. Using equalization D. Blending sounds E. Compression V. Importing MIDI into a
Non-linear System A. Synthesizers B. How MIDI is transferred C. MIDI time codes D. Integrating MIDI into
mix VI. Adding Effects A. Use of auxiliary sends
and returns B. Effects software
programs C. How much effect is
necessary D. Editing effects software
E. Blending into final mix VII. Mastering on a
Non-linear System A. Preparing final mix B. CD software programs C. CD sample/bit rates D. Burning to CD E. Transferring to DAT VIII. Syncing Sound to
Video A. SMPTE time code B. Master/Slave
relationship C. Importing into video editing
system |
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