Official Course
Description: MCCCD Approval: 2-24-1998 |
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DAN237 1998 Fall – 2010 Fall |
L+L
1.0 Credit(s) 1.0 Period(s) 1.0 Load Acad |
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Ballet
Pointe I |
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An
introduction to the theory and practice of pointe work
at the beginning level. Development of strength and movement quality. Prerequisites: DAN134 or permission of
Instructor. Corequisites: DAN231
or DAN234. Course Notes: DAN237 may be repeated for
a total of two (2) semester credit hours. |
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Go to Competencies Go to Outline
MCCCD
Official Course Competencies: |
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DAN237 1998
Fall – 2010 Fall |
Ballet Pointe I |
1.
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Identify the parts of a pointe shoe
and their functions. (I) |
2.
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Appraise correct fit and evaluate selection of a pointe shoe. (I) |
3.
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Demonstrate preparation and maintenance of a pointe shoe. (I) |
4.
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Demonstrate correct placement and alignment for ballet using
toe shoes: on the flat foot, on the ball of the foot, and on pointe. (II) |
5.
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Perform basic locomotor and
axial movements on pointe at the barre, in center, and across the floor. (II, III, IV) |
6.
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Demonstrate an understanding of ballet technique,
theories, and styles. (II, III, IV) |
7.
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Demonstrate an understanding of the theory of the body's
relationship to gravity and the center of gravity. (II, III, IV, V) |
8.
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Demonstrate an understanding of the basic elements of
dance: space, time, and energy. (II, III, IV, V) |
9.
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Utilize technical skills, theories, and style in
performance. (V, VI) |
Go to Description Go to top of Competencies
MCCCD
Official Course Outline: |
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DAN237 1998
Fall – 2010 Fall |
Ballet Pointe I |
I. Pointe Shoe A. Construction B. Selection C. Maintenance II. Barre
A. Placement and centering B. Positions of the feet C. Port de Bras D. Port de Corps E. Foot and leg
articulation F. Balance G. Stretching H. Releve-Spring
up and roll up III. Standing and Centerfloor Work A. Placement and centering B. Positions of the feet C. Port de Bras D. Port de Corps E. Foot and leg articulation
F. Axial work G. Adagio H. Temps Leve I. Petite Allegro IV. Across the Floor A. Allegro B. Intricate combinations 1. Space awareness 2. Time awareness 3. Energy awareness C. Turns D. Aerial work V. Repertory Work A. Classical B. Neoclassical VI. Developing the Craft A. Dynamics B. Stage directions C. Performance skills |