Official Course
Description: MCCCD Approval: 2-24-1998 |
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DAN140 1998 Fall – 2010 Fall |
L+L
1.0 Credit(s) 3.0 Period(s) 2.4 Load Acad |
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Tap
Dance I |
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An
introduction to the theory and practice of tap dance. Prerequisites: None. Course Notes: DAN140 may be repeated for
a total of two (2) semester credit hours. |
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Go to Competencies Go to Outline
MCCCD
Official Course Competencies: |
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DAN140 1998
Fall – 2010 Fall |
Tap Dance I |
1.
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Demonstrate correct placement and alignment for dance. (I)
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2.
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Perform basic tap dance skills at the barre,
in the center, and across the floor. (I, II, III) |
3.
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Demonstrate correct rhythmic clarity of steps. (I, II, III,
IV) |
4.
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Demonstrate correct sound clarity of steps. (I, II, III,
IV) |
5.
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Perform tap styles with clarity and correctness. (II, III,
IV) |
6.
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Relate historical development of tap dance to tap dance
style. (II) |
7.
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Critique the correctness in performance and style of self
and others. (IV) |
Go to Description Go to top of
Competencies
MCCCD
Official Course Outline: |
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DAN140 1998
Fall – 2010 Fall |
Tap Dance I |
I. At the Barre A. Placement and alignment B. Use of the leg C. Sounds D. Specific skills and
rhythmic clarity 1. Toe taps 2. Heel taps and drops 3. Flap 4. Shuffle 5. Slap 6. Shuffle step 7. Shuffle hop 8. Ball change 9. Kick ball change 10. Cramp roll II. Centerfloor
A. Skills learned at barre for rhythmic and sound clarity B. Time steps: rhythmic and
sound clarity 1. Single 2. Double 3. Triple C. Basic soft shoe:
rhythmic and sound clarity 1. Paddle turns 2. Grapevine D. Basic waltz clog:
development of and rhythmic and sound clarity E. Buffalo: rhythmic and
sound clarity F. Chugs: rhythmic and
sound clarity G. Digs: rhythmic and sound
clarity H. Historical development
of traditional tap dance styles and their performance 1. Congo square 2. Minstrel shows 3. Vaudeville and clubs 4. Musical theatre 5. Jazz tap 6. Rhythm tap III. Across the Floor:
Performed for Sound and Rhythmic Clarity A. Toe heel B. Flap heel C. Shuffle hop step D. Pivots E. Turns F. Combinations of all
material IV. Performance A. Combination from all
material learned in class B. Critique for sound and
rhythmic clarity |