Official Course
Description: MCCCD Approval: 11-23-1993 |
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HUM210
1994 Spring – 1994 Summer
II |
LEC 3.0 Credit(s) 3.0 Period(s) 3.0 Load Acad |
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Contemporary
Cinema |
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A
study of contemporary films, directors and critics with emphasis on evaluating
film as an art form. Prerequisites: None. |
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Cross-References:
THE210
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Go to Competencies Go to Outline
MCCCD
Official Course Competencies: |
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HUM210 1994
Spring – 1994 Summer II |
Contemporary Cinema |
1.
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Analyze the basic elements of the filmmaking process. (I) |
2.
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Describe the role of the director, actor, editor,
screenwriter and cinematographer. (I) |
3.
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Identify and describe the relationships between past and
contemporary film genres. (II) |
4.
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Explain film's major periods and accomplishments from 1960
to the present. (II) |
5.
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Identify and analyze significant films from the
contemporary period. (III) |
6.
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Identify and analyze significant contemporary film trends
and theories. (III) |
7.
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Identify and describe significant film critics and
theories of film criticism in contemporary film. (III) |
8.
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Describe the distribution and exhibition of contemporary
films. (IV) |
9.
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Identify and describe the major marketing and advertising
strategies of contemporary film. (IV) |
Go to Description Go to top of
Competencies
MCCCD
Official Course Outline: |
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HUM210 1994
Spring – 1994 Summer II |
Contemporary Cinema |
I. The Language of Film A. Basic Elements of
Filmmaking 1. Sound 2. Camera 3. Acting 4. Editing 5. Script writing B. Personnel Involved in
Filmmaking 1. Director 2. Actor 3. Editor 4. Screenwriter 5. Cinematographer II. Film Genres from 1960
to Present A. Overview of Film Genres 1. Major Periods from 1960
to Present 2. Major Accomplishments
from 1960 to Present B. Relationships Between
Film Genres-Past to Present 1. Comedy 2. Romance 3. Western 4. Action/Adventure 5. Mystery III. Contemporary Film
Genres A. Exploring Contemporary
Film Genres 1. Significant Contemporary
Films 2. Trends and Theories in
Contemporary Films B. Criticism of
Contemporary Film 1. Significant Critics of
Contemporary Film 2. Current Theories of Film
Criticism IV. Business of
Contemporary Film A. Distribution and
Exhibition B. Marketing and
Advertising |