Official Course
Description: MCCCD Approval: 6-24-2008 |
||
EXS129
2009 Spring – 2011 Summer
II |
LEC 2.0 Credit(s) 2.0 Period(s) 2.0 Load Acad |
|
Methods
of Group Fitness II |
||
Planning
and teaching group fitness. Techniques for cueing, use of music, choreography
development for step aerobics and muscle conditioning and safety guidelines. Prerequisites
or Corequisites:
EXS128 or permission of instructor. |
||
Go to Competencies Go to Outline
MCCCD
Official Course Competencies: |
|
|
|
EXS129 2009
Spring – 2011 Summer II |
Methods of Group Fitness II |
1.
|
Describe the characteristics of successful group fitness
instruction, including preparation for the instructor and appropriate
organization of the class. (I, II, III) |
2.
|
Identify types of cueing and describe problems which may
arise, indicating appropriate alternatives. (IV) |
3.
|
Identify types of music appropriate to various kinds and
stages of aerobics exercise, and describe the effect of the beats per minute
and music volume. (V) |
4.
|
Describe how to structure a step aerobics class, including
consideration for both benefits and risks to the student. (VI) |
5.
|
Describe how to structure muscle conditioning classes in a
group fitness setting, including appropriate and safe exercises. (VII) |
6.
|
Identify resistance equipment and describe the benefits
and risks involved in using such equipment, including application in specific
exercises. (VII) |
7.
|
Describe the legal responsibilities of the aerobics
instructor. (VIII) |
8.
|
Describe various specialty exercises classes. (IX) |
9.
|
Demonstrate practical skills for teaching step aerobics
and muscle conditioning classes. (X) |
Go to Description Go to top of
Competencies
MCCCD
Official Course Outline: |
|
|
|
EXS129 2009
Spring – 2011 Summer II |
Methods of Group Fitness II |
I. Characteristics of
successful instruction A. Responsibilities as an
educator 1. Leadership styles 2. Learning styles 3. Staying updated B. Serving as a role model 1. Realistic role model 2. Positive role model C. Serving as a motivator 1. Setting realistic goals 2. Ensuring success 3. Positive reinforcement 4. Participant involvement D. Serving as a trainer 1. Implementing the program
2. Providing variations and
modifications II. Leadership preparation A. Organizing self and
program 1. Class responsibilities 2. Adaptability B. Attitude of a leader 1. Understanding
abilities/expectations of the class 2. Living what you preach 3. Being positive III. Class organization for
step aerobics and muscle conditioning classes A. Purpose of the warm up 1. Elevating heart rate 2. Elevating core body
temperature 3. Preparing body for
vigorous activity B. Structuring the warm up 1. Length and intensity 2. Types of movement 3. Type of music and BPM C. Contraindicated
exercises and alternatives 1. Unsupported forward
flexion 2. Forward flexion with
rotation 3. Unsupported lateral
flexion 4. Knee hyperextension 5. Neck circles and
hyperextension 6. Extreme static stretches
7. Ballistic stretching IV. Cueing and transitions
for step aerobics A. Verbal and Visual Cuing 1. Verbal a. Verbal countdown b. Terminology c. When do you cue? d. Attention getters e. Safety/Alignment cues f. Positive reinforcement
cues 2. Non-verbal a. Hand cues b. Attention getters c. Visual Previews B. Cueing problems and
alternatives 1. Avoiding late cueing 2. Being too wordy 3. Too much cueing C. Transitions 1. Key to smooth
choreography 2. Changing one factor at a
time D. Vocal technique V. Music: motivational
magic A. Appropriate beats per
minute 1. Step aerobics 2. Muscle conditioning 3. Beginning/intro class B. Appropriate beats per
minute for class segment 1. Warm up 2. Step Aerobics 3. Muscle Conditioning Classes
4. Cool down 5. Stretch C. Music variety 1. Integrating varieties of
music into a class 2. Music sources D. Music volume 1. Vocal production 2. Factors to consider VI. Step aerobics class
structure A. Benefits and risks 1. Physiological
implications 2. Biomechanical
implications B. Structuring a low impact
class 1. Basic moves 2. Choreographic variations
3. Choreographic techniques
4. Problem moves and
alternatives 5. Creating new moves and
combinations 6. Contraindicated
movements and alternatives 7. Modifications for varied
levels of students 8. Smooth transitions
between moves 9. HI/LO choreography for
variety and safety VII. Muscle conditioning
classes A. Concept and goals of
muscle conditioning 1. Muscle strength/muscle
endurance 2. General principles for
effective muscle conditioning 3. Biomechanic
implications - safety guidelines B. Structuring muscle
conditioning exercises 1. Proper progression 2. Sets and repetitions C. Specific exercises for
muscle groups 1. Pectoralis,
latissimus, trapezius 2. Biceps, triceps,
deltoids, rotator cuff 3. Hip abductors 4. Hip adductors 5. Gluteals/hamstrings
6. Quadriceps/hip flexors 7. Tibialis/anterior-posterior
8. Abdominals/spinal
extensors D. Contraindicated
exercises and alternatives E. Resistance equipment 1. Muscle strength/muscle
endurance 2. Purpose of equipment F. Benefits and risks of
weights, bands, and tubes 1. Proper overload (how
much weight?) 2. Common alignment
problems 3. Modifications for
various levels G. Specific exercises:
practical application 1. Upper body 2. Lower body VIII. Legal aspects A. Instructor's liability 1. Waiver/informed consent 2. Insurance needs B. Music copyright laws IX. Specialty class formats
A. Interval training 1. Theory and purpose 2. Structure of class B. Kids' class C. Circuit Training D. Stretch class E. Pre/post natal class F. Water fitness classes G. 50+ and senior classes H. Sports Conditioning /
Functional Strength I. Other specialty classes X. Practical Skills
Demonstration A. Warm up B. Step aerobics C. Muscle conditioning D. Monitoring student's
exercise intensity E. Post-cardio cool down F. Stretching G. Musical phrasing H. Cueing I. Choreography |