Official Course
Description: MCCCD Approval: 6-24-2008 |
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EXS128
2009 Spring – 2011 Summer
II |
LEC
2.0 Credit(s) 2.0 Period(s) 2.0 Load Acad |
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Methods
of Group Fitness I |
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Planning
and teaching group fitness. Techniques for cueing, use of music, choreography
development for high and low impact aerobics, cool down and safety
guidelines. Prerequisites: (EXS112 and EXS125) or
permission of Instructor. |
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Go to Competencies Go to Outline
MCCCD
Official Course Competencies: |
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EXS128 2009
Spring – 2011 Summer II |
Methods of Group Fitness I |
1.
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Describe the characteristics of successful group fitness
instruction, including preparation for the instructor and appropriate
organization of the class. (I, II) |
2.
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Identify types of cueing and describe problems which may
arise, indicating appropriate alternatives. (III) |
3.
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Identify types of music appropriate to various kinds of
class formats, and describe the effect of the beats per minute and music
volume. (IV) |
4.
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Describe how to structure an aerobics class, including
consideration for both benefits and risks to the student. (V) |
5.
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Indicate the purpose of post-cardio cool down and stretch.
(VI) |
6.
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Describe how to structure cool down, including appropriate
and contraindicated exercises. (VII) |
7.
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Demonstrate practical skills for instructing group
fitness. (VIII) |
Go to Description Go to top of
Competencies
MCCCD
Official Course Outline: |
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EXS128 2009
Spring – 2011 Summer II |
Methods of Group Fitness I |
I. Leadership teaching
techniques A. Making personal contact B. Verbal and non-verbal
communication skills C. Correcting II. Class organization for
aerobics A. Purpose of the warm up 1. Elevating heart rate 2. Elevating core body
temperature 3. Preparing body for
vigorous activity B. Structuring the warm up 1. Length and intensity 2. Types of movement 3. Type of music and BPM C. Contraindicated
exercises and alternatives III. Cueing and transitions
for aerobics A. Verbal and Visual Cuing
1. Verbal a. Verbal countdown b. Terminology c. When do you cue? d. Attention getters e. Safety/Alignment cues f. Positive reinforcement
cues 2. Non-verbal a. Hand cues b. Attention getters c. Visual Previews B. Cueing problems and
alternatives 1. Avoiding late cueing 2. Being too wordy 3. Too much cueing C. Transitions 1. Key to smooth
choreography 2. Changing one factor at a
time D. Vocal technique IV. Music: motivational
magic A. Appropriate beats per
minute 1. High impact 2. Low impact 3. Beginning/intro class B. Appropriate beats per
minute for class segment 1. Warm up 2. Low to high intensity
aerobics 3. Cardio cool down 4. Stretch C. Music variety 1. Integrating varieties of
music into a class 2. Music sources D. Music volume 1. Vocal production 2. Factors to consider V. Aerobics Class Structure
A. Benefits and risks 1. Physiological
implications 2. Biomechanical
implications B. Structuring a low impact
class 1. Basic moves 2. Choreographic variations
3. Choreographic techniques
4. Problem moves and
alternatives 5. Monitoring Intensity 6. Creating new moves and
combinations 7. Contraindicated
movements and alternatives 8. Modifications for varied
levels of students 9. Smooth transitions
between moves 10. HI/LO choreography for
variety and safety VI. Purpose of post-cardio
cool down & stretch A. Heart rate B. Level of effort C. Types of movement D. Stretching Techniques VII. Cool down and final
stretch (flexibility) A. Purpose 1. Heart rate 2. Level of effort 3. Muscle and range of
motion 4. Flexibility principles B. Variations in
structuring a cool down 1. Static stretch 2. Dynamic stretch C. Contraindicated
exercises and alternatives VIII. Practical skills
demonstration A. Warm up B. Low intensity aerobics C. High intensity aerobics D. Monitoring student's
exercise intensity E. Post cardio cool down F. Stretching G. Musical phrasing H. Cueing I. Choreography |